by R.F. Foster ‧ RELEASE DATE: April 1, 1997
Instead of offering another biographic gloss of Yeats's poetry, historian Foster (Irish History/Oxford; Paddy and Mr. Punch, 1994, etc.) concentrates on the young poet's many personae: journalist, revolutionary, playwright, political figure, and occult experimenter. Foster's detail-weighted, date-ballasted tome sets itself in contrast to previous biographies, such as Richard Ellmann's elegant and compact Yeats: The Man and the Masks. The Apprentice Mage is an episodic serial of the poet's diverse activities up to his 50th year, concentrating on action rather than on art. If Yeats inherited his volubly aesthetic nature from his bohemian father, John Butler, he was grounded in Ireland on his mother's side (the dourly mercantile Protestant Pollexfens). Foster sees the Pollexfens as the source of Yeats's problems with Anglo-Irish politics. His exile with his family in London gets some credit for stimulating his fledgling talents. Foster does a good job of tracking the young man's footloose intellectual rovings in the 1890s, from the British Museum to the decadent Rhymers club and his dabblings with the Golden Dawn, an occult society. But his analysis of character seems rather rudimentary: The author baldly states that Yeats's early career was shaped by ``sexual frustration'' and ``personal ambition,'' and that's about as much psychological insight as he provides. If Foster never really grasps his subject's mercurial personality, to say nothing of his poetry, at least he never falls under its spell as he charts Yeats's political progress from Fenian fellow traveler at the beginning of the Celtic Twilight to his Home Rule Liberalism in the face of the Sinn FÇin generation. He maintains a distanced objectivity even while describing some of Yeats's most passionate experiences, including his affair with Maud Gonne and his life at the Abbey Theater. This is the Pollexfen account of Yeats's life: dense with facts, skeptically commonsensical, but a bit obtuse in spirit. (32 pages photos, not seen)
Pub Date: April 1, 1997
ISBN: 0-19-510125-1
Page Count: 640
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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