An epic and inventive Far East, space-invasion reimagining of World War II.
In 1939, an incredible archaeological discovery in China leads to contact with an ancient race of aliens—who fatefully join the Allied cause—in this debut novel.
In a Chinese mainland brutally conquered by Imperial Japan, Chuan-Jay Hoo (aka “CJ”) is a young prisoner of war. The soldier’s background as a U.S.-trained archaeologist puts him in the vanguard of a large, secret Japanese troop expedition to long-buried tombs and sacred mountains. What the invaders want with antiquities even older than the Shang Dynasty is revealed when they penetrate an underground complex and awaken the “Launtja.” These are reptilian space-alien warriors from the planet Shah, dormant for four millennia after their ship crashed and their injured captain went into time-warp stasis while the crew awaited rescue (4,000 years not being a daunting span for them). The Launtja taught the early Chinese the rudiments of civilization and the traditions of “dragons” (such monsters are the aliens’ flying biomechanical weapons). The reanimated Launtja mercilessly wipe out the Japanese intruders but spare CJ, finding him DNA-related kin. With Pearl Harbor, the soldier brokers diplomacy between the ETs, the Chinese leadership, and the Allies, trying to repair the visitors’ technology in exchange for fighting the Axis and furthering a secret “Project Manhattan” to develop super-bombs. But in a breathtaking second-act plot twist, the alien deep-space “rescue” fleet arrives and—to everyone’s shock—expands the conflict from a world war to an interstellar one. Alexanders pens an ambitious, sweeping, and entertaining escapist sci-fi yarn that promises to be the first installment of a five-part series, although this volume stands on its own. Chiang Kai-shek, Enrico Fermi, Franklin D. Roosevelt, Churchill, Hitler, and Stalin join the ensemble, although the boyish and plucky CJ winds up the center of things. There is a basically pulpish feel to the antics—an alien WMD is called the “Gronkageddon,” and CJ’s American mentor is a brash, fedora-wearing archaeology professor called Dr. Jones (first name: Harry). The audience will likely overlook that thanks to Alexanders’ storytelling finesse and the fresh point of view of early World War II from the Chinese political and cultural side, a vantage as alien to many Western readers as Mars. The material even survives an overused deus ex machina ending that, with a lesser work, might have felt like an immense letdown.
An epic and inventive Far East, space-invasion reimagining of World War II.Pub Date: Nov. 8, 2017
ISBN: 978-1-979564-95-3
Page Count: 574
Publisher: CreateSpace
Review Posted Online: April 20, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
