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DUCK AND COVER

ELEVEN SHORT STORIES

A sometimes-luminous, sometimes-mordant collection that undercuts its nostalgia with complex ironies.

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A set of stories about kids in a seemingly wholesome small town that’s tinged with darkness.

Elliott’s (Runners on Running, 2012, etc.) characters are young boys and a few girls, most of whom are growing up in the town of Milford, Illinois, during the 1950s and ’60s. Their lives are filled with schoolwork, sports, and crushes until subtle crises undermine their complacency. In “The Faulkner Sentence,” for example, a beloved English teacher revels in diagramming sentences until a student challenges her to parse a 1,300-word William Faulkner passage. A boy trudges through a snowstorm toward the hospital where his mother lies dying of cancer in “The Big Snow,” and a high school track star, in “Running God,” gets ground down by his coach’s sadistic training regimen. In “The White Sox Team Card,” a trio of delinquents plots to steal a precious baseball card that a Chicago gangster covets, and in “Lucky,” a boy discovers that his perennial good fortune comes at the expense of his polio-stricken sister—and he tries to compensate by courting disaster. A young girl marvels at the northern lights and dreads her strange, drunken uncle in “Aurora Borealis”; a boy reacts to the Sputnik 1 launch in “Propellants” by building an amateur rocket called Red Scare; and in the title story, an eighth-grader discovers a classmate taking refuge in his family’s fallout shelter during the Cuban missile crisis. In this debut collection of stories, some of which have previously appeared in literary magazines, Elliott crafts characters who are mainly ordinary youngsters in ordinary circumstances who feel slightly uneasy in their skins—overmatched by expectations or possessing unrealistic desires. Often, these tensions are played for gentle comedy, but just as often, the author pulls the rug out from under readers by swerving into disaster. Elliott writes with a supple, naturalistic style that’s also psychologically rich: “George—beautiful, vulnerable George—with lifetimes behind those lovely, hooded eyes and smiling his all-knowing smile,” muses a girl besotted with Beatles heartthrob George Harrison in “Mania.” The result is a vivid evocation of postwar America that’s both halcyon and haunted.

A sometimes-luminous, sometimes-mordant collection that undercuts its nostalgia with complex ironies.

Pub Date: Oct. 8, 2018

ISBN: 978-1-72318-356-0

Page Count: 168

Publisher: RichElliottProductions

Review Posted Online: Sept. 22, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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