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WRESTLING STURBRIDGE

This strong debut, set in a small Pennsylvania town where local sports rule, pits a senior wrestler against both a close friend and the prospect of a dead-end, beer-and-factory-work future. Ben and Al have been friendly rivals for years, but as school's end looms, new tension enters their relationship: Al is being groomed for a shot at the state championship; Ben, discovering that he wants something for himself besides the role of second stringer, is coming closer and closer to beating him in practice. Ben also yearns to escape the claustrophobic confines of life in a one-street town, though he realizes that ``it's a pit only the strongest crawl out of.'' He tells his story in a spare way appropriate to his undemonstrative, nonverbal nature, recording fast and furious wrestling action, the steady burn of his own anger and frustration, and brief but telling glimpses of the people around him—especially of his loving but even less demonstrative father, a factory worker and part-time burglar. In the end, Ben gets not what he wants, but what he needs, losing the qualifying match to Al by one point, and falling for Kim Chavez, a beautiful classmate who knows him better than he knows himself. The young characters here, male and female, are all athletes, but not stereotyped jocks, and Wallace limns the pleasures and limitations of small-town culture with a sure hand. (Fiction. 12-15)

Pub Date: June 1, 1996

ISBN: 0-679-87803-3

Page Count: 133

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1996

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THE SUMMER I TURNED PRETTY

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...

Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly. 

Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together. 

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)

Pub Date: May 5, 2009

ISBN: 978-1-4169-6823-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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