New Age jargon bobs along amiably on stream-of-consciousness froth in this quasi-nonfiction indulgence by the author of Jonathan Livingston Seagull (not reviewed). While paragliding, Bach meets a ``teaching angel'' named Shepherd (get it?), who reminds the pushing-60 writer of a promise he made 50 years ago to Dickie, his nine-year-old inner child: to ``write a book to take back, just for the boy you were, everything you know.'' That book presumably is this one, a cross between a Socratic dialogue and the transcript of a schizophrenic's rant. Richard's discussions with Dickie about free will, fate, risk, and coincidence consist mainly of other people's warmed-over tenets presented as revelations. (Dickie speaks for weary readers when he shouts, ``THAT'S TOO MANY, RICHARD!...IF YOU SAY ONE MORE MAXIM I'M GOING TO POP!'') Much of the book is devoted to perusing Richard's messy mental scrapbook: Childhood was a desert, but at least Dad taught him to play chess. Why did brother Bobby have to die? (Leukemia.) Why did Richard succumb to peer pressure and drink beer as an adolescent? First marriage goes sour; thank heavens Leslie- -the patient, mint teadrinking second wife to whom Richard recounts what he learns—remains deep, mysterious, and challenging. The treadmill of rhetoric keeps turning as Dickie goes grocery shopping with Richard, wakes him up at night, and accompanies him in flight. In the paraglider, they achieve the ultimate insight: There's lots in life over which we have no control; sometime we must trust what we cannot see. Not much originality here, but at least the clichÇs feel universal. Bach tills fertile New Age ground, emerging with such self-helpers' delights as crystals and ``soul on a sunbeam.'' Either you buy it or you don't. (Author tour)
Pub Date: Sept. 27, 1994
ISBN: 0-688-12716-9
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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