by Richard Brookhiser ‧ RELEASE DATE: Feb. 1, 2001
Brookhiser elegantly undermines his subjects even as he sympathetically records their importance as a crucial link between...
A concise history of four famous men from the house of Adams.
John (1735–1826), John Quincy (1767–1848), Charles Francis (1807–86), and Henry (1838–1918) were a prickly bunch who always maintained their sense of self-importance, even after they failed to realize their goals and the family started its long slump into obscurity. Their other shared trait, after all, was contrariness. John was in favor of a kingly presidency, but he despaired of George Washington’s regal air even as he sought but failed to acquire it. Historian and journalist Brookhiser (Alexander Hamilton, American, 1999, etc.) calls John the first loser in American presidential history, alienating so many during his single term that he couldn’t get re-elected. John Quincy was a strident enemy of slavery not because he wanted to free slaves but because he believed that their masters wanted to lord it over free men as well. Charles Francis despised partisanship, yet he would have gotten nowhere if he hadn’t hooked up with William Seward, who as Secretary of State made him ambassador to England. And Henry, who found post–Civil War politics vulgar, nonetheless moved to Washington and became a political journalist. Brookhiser, an admirer of WASP culture, is fascinated by the Adamses’ tendency to play out in the public arena exploits that were really directed toward family members. John wanted to impress Samuel Adams. John Quincy had to impress his father. The work Charles Francis most appreciated was the editing of his father’s diaries. And Henry could breathe a sigh of relief only after he wrote “Mont Saint Michel and Chartres” as a testament to his family’s genius. One wishes that the female members of the tribe had received some attention here. They must have been impressive characters, or no Adams would have married them in the first place.
Brookhiser elegantly undermines his subjects even as he sympathetically records their importance as a crucial link between Americans of several generations and their national past.Pub Date: Feb. 1, 2001
ISBN: 0-684-86881-4
Page Count: 256
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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