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GENTLEMAN REVOLUTIONARY

GOUVERNEUR MORRIS, THE RAKE WHO WROTE THE CONSTITUTION

Brookhiser might have done more to examine the text with an eye to that question, but this remains a balanced and thoroughly...

Third in National Review senior editor Brookhiser’s series on the heroes of the American Revolution (Founding Father, 1996; Alexander Hamilton, American, 1999).

Gouverneur Morris was less celebrated in his own day than either Hamilton or Washington, but not for want of trying: he had an endlessly high regard for himself, chased women on two continents, led a life of wealth and influence before and after the Revolution (the seat of his family estate stretched from the Harlem River to Long Island Sound, and as a lawyer he commonly earned fees of $10,000 a pop), and was altogether satisfied with his abilities and accomplishments. The scion of French Huguenot and Dutch forebears, Morris enjoyed an aristocratic heritage that “represented something that existed nowhere else in the Thirteen Colonies [but New York]—an old world of European settlement that preceded the arrival of Englishmen.” For all that, Morris was quick to choose the Continental side when the war came, and unwavering in his devotion to the American cause. Although his leanings were fundamentally conservative, Morris championed religious freedom, disagreeing with fellow Federalist John Jay that “Americans were a united people . . . professing one religion”—which, Brookhiser points out, meant not Christianity but Protestantism—and holding vigorously that “matters of conscience and faith, whether political or religious, are as much out of the province, as they are beyond the ken of human legislatures.” Brookhiser also asserts, intriguingly, that Morris mistrusted democracy and favored national over states’ rights—and that he foresaw the Civil War as early as 1812, when he urged New York and New England to break away from the slaveholding states. As the lead author of the Constitution, Morris had ample opportunity to insert his views on such matters.

Brookhiser might have done more to examine the text with an eye to that question, but this remains a balanced and thoroughly interesting study of the man and his time all the same.

Pub Date: June 3, 2003

ISBN: 0-7432-2379-9

Page Count: 272

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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