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FEAR OF BLUE SKIES

A third collection from Burgin (Private Fame, 1989; Man Without Memory, 1991), who teaches at St. Louis University and also edits the quarterly Boulevard. The protagonists of these 11 stories are lonely people who've been hurt by their pasts, and become hesitant to test the dangerous waters of new circumstances or relationships. They aren't safely anchored to the real world, or even to their own inner selves, and many are still bound, well into middle age, to elderly or deceased parents or to spouses or lovers long since gone. Burgin's prose is dreamy and meditative, and the flat rhetoric that dominates his stories often has the surely unintended effect of making his characters' idiosyncracies seem hopelessly remote from us. For example, the narrator of ``The Park,'' finding solace neither with the woman he covets nor in the fabricated beauty of the public park he compulsively visits, achieves an unspecified (and unconvincing) gratification when he meets an elderly woman and carries her groceries home for her. But what literally happens in the piece simply isn't enough to allow us entry into the character's mind and heart. A few other tales feel similarly thin, but there are several impressive successes. The fine title story shows how a withdrawn young man, afflicted by a recurring dream of floating heavenward and simply disappearing, resolves this trauma by manufacturing a ``durable memory.'' And in the haunting ``My Sister's House,'' a ``gypsy scholar,'' who has never put down roots or settled into a relationship, assesses what differing effects his parents' ``house full of secrets'' has had—on his own stunted development, as well as on his sister's contented lesbian marriage. These odd, quirky glimpses of lives lived beneath the surface or on the fringe of ``normal'' behavior only intermittently strike sparks of recognition in us. But the best of them are all too familiar and won't be easily forgotten.

Pub Date: Dec. 12, 1997

ISBN: 0-8018-5745-7

Page Count: 192

Publisher: Johns Hopkins Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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