by Richard Burton edited by Chris Williams ‧ RELEASE DATE: Nov. 6, 2012
A text that thrums with life and assures the rest is not silence.
The inspiring, salacious, sad, materialistic, insecure, arrogant, hilarious and dull ruminations of a most gifted actor.
Burton was not assiduous about his diary. There are fascinating flurries of activity, generally surrounding his work on film (from The Taming of the Shrew to The Battle of Sutjeska) or on a play (a revival of Camelot in 1980). But there are also months, even years, that go by in silence. Occasionally, Burton had nothing to say—e.g., a six-day stretch in 1975 when each day’s entry offers but a single word: “Booze.” Burton struggled throughout his career with alcohol (the diary records alternating periods of abstinence and drunkenness) and cigarettes. He constantly battled his weight, as well, clearly disturbed when he was only a few pounds over what he wished to be. His relationship with his two-term wife, actress Elizabeth Taylor, will no doubt interest many readers, and the diary at times resembles a seismograph marking the rumbles in their relationship. The author often waxes eloquent about her, recording her beauty and her talent (he believed she was a gifted actress). Perhaps most impressive, however, is the catalog of Burton’s reading. He makes “voracious” sound feeble. He consumed mystery novels and thrillers, yes, but also Proust and Gibbon and weighty works of history and philosophy. (He read In Search of Lost Time twice, just to be sure.) When he was preparing for travel, he always assembled a thick stack of books to take with him. Williams (Welsh History/Swansea Univ.; Capitalism, Community and Conflict: The South Wales Coalfield, 1898-1947, 1998, etc.) provides scrupulous editing—there are a myriad of fascinating footnotes, only a few of which are questionable: Do we really need to be told who Mark Twain is?—and the book includes countless juicy comments from Burton about colleagues, directors, authors, family, politics and celebrity.
A text that thrums with life and assures the rest is not silence.Pub Date: Nov. 6, 2012
ISBN: 978-0-300-18010-7
Page Count: 546
Publisher: Yale Univ.
Review Posted Online: Aug. 28, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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