A capable enough imagining of real events, though weighted down by genre formulas.
Routine recounting of a crucial episode in Civil War history.
Fought in the cold December of 1862, the Fredericksburg campaign combined classical set pieces with novel ways of slaughter; of the 12,000-plus Union soldiers killed or wounded there, more than half were cut down in front of a stone wall by raking fire then unfamiliar to the fife-and-drum battlefield tactics of the day. Former TV executive and documentary filmmaker Croker does a solid job of capturing the grimn horror of the day, although this tale seems more labored and clichéd than his To Make Men Free (2004), about the equally sanguinary Battle of Antietam. As befits the genre, there are stoic, portentous moments highlighting the lonely leaders of the struggle—Lincoln, Lee and that old skinflint Salmon Chase, who takes time from brooding to enjoy the sight of a beautiful daughter (“Of all the things Chase hated, paying for Kate’s dresses ranked high on the list—until he saw her in one”). There are patches of colorful language by hard-bitten veterans (“God damn those fat-ass quartermaster sons of bitches!”). There’s nail-biting aplenty by worried strategists on both sides, busily moving masses of men across the wintry Virginia landscape. And then there are splendid moments by honest-to-goodness heroes such as Joshua Chamberlain and the pious Stonewall Jackson, more disturbed by the loss of churches than of the loss of men, and of course lots of bloodshed, for this was the battle where Lee famously remarked, “It is well that war is so terrible. We should grow too fond of it.” Yet in all this there is little of the storytelling flair or sense of drama of Michael Shaara’s Killer Angels and all of the gravitas and slowness of Ronald Maxwell’s 2003 film Gods and Generals, which seemingly tried to depict Fredericksburg in real time.
A capable enough imagining of real events, though weighted down by genre formulas.Pub Date: Feb. 28, 2006
ISBN: 0-06-055910-1
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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