A dandy tale whose deviations prove just as much fun, if not more so, than the murder mystery itself.
A lawyer tries to steer a billionaire client’s cruise line free of bad publicity by finding a serial killer before he continues making female passengers disappear in this debut thriller.
Raam Commoner, a Los Angeles attorney who has just returned from a two-year tour in Afghanistan, is almost immediately picked up by Viktor Viken’s goons. Viktor’s business empire, including Camelot Cruise Lines, has solidified counsel Raam’s position at his firm, despite partners disapproving of his (possibly dubious) manner of maintaining ties with the thuggish businessman. But Camelot has a problem: a man calling himself Mr. Dinia sends a video in which he, with his face and voice disguised, boasts of the people he’s murdered, namely nine on Viktor’s ships—and a forthcoming 10th. Viktor wants Raam to track down the killer, afraid the notoriety surrounding any police scrutiny would ruin his business. Retaining the secret becomes hard enough for Raam, with the family of one of the missing passengers hiring private investigator Kayman Karl, and an anonymous message demanding money to keep mum about the serial killer. But Dinia gleefully toys with the lawyer, sending emails in which the killer takes credit for a few murders (individuals whom Raam knows) and lodging the occasional threat. Raam’s romance with Kayman only complicates matters, because her concurrent investigation likewise puts her in danger. The story subverts a traditional mystery with absorbing tangents, including an alleged victim Dinia names in his video but who doesn’t seem to have been a passenger, and Tony Bartholomew, a nosy, antagonistic attorney at Raam’s firm. Though some are red herrings, Bach still manages to link them somehow to the main plot. Raam’s not initially likable, with his wake of girlfriends and exes collectively and flippantly known as “Commoner College.” His attraction to Kayman, however, gradually turns into something substantial and maybe even sentimental, while the savvy, physically capable private eye more than holds her own. Most readers will likely work out the killer’s identity before the protagonist, so that the final act, which entails the explanation of Dinia’s cryptic clues, comes across as an overly complex, roundabout way of unmasking a murderer.
A dandy tale whose deviations prove just as much fun, if not more so, than the murder mystery itself.Pub Date: March 7, 2012
ISBN: N/A
Page Count: 273
Publisher: CreateSpace
Review Posted Online: Oct. 20, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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