A lawyer tries to steer a billionaire client’s cruise line free of bad publicity by finding a serial killer before he continues making female passengers disappear in this debut thriller.
Raam Commoner, a Los Angeles attorney who has just returned from a two-year tour in Afghanistan, is almost immediately picked up by Viktor Viken’s goons. Viktor’s business empire, including Camelot Cruise Lines, has solidified counsel Raam’s position at his firm, despite partners disapproving of his (possibly dubious) manner of maintaining ties with the thuggish businessman. But Camelot has a problem: a man calling himself Mr. Dinia sends a video in which he, with his face and voice disguised, boasts of the people he’s murdered, namely nine on Viktor’s ships—and a forthcoming 10th. Viktor wants Raam to track down the killer, afraid the notoriety surrounding any police scrutiny would ruin his business. Retaining the secret becomes hard enough for Raam, with the family of one of the missing passengers hiring private investigator Kayman Karl, and an anonymous message demanding money to keep mum about the serial killer. But Dinia gleefully toys with the lawyer, sending emails in which the killer takes credit for a few murders (individuals whom Raam knows) and lodging the occasional threat. Raam’s romance with Kayman only complicates matters, because her concurrent investigation likewise puts her in danger. The story subverts a traditional mystery with absorbing tangents, including an alleged victim Dinia names in his video but who doesn’t seem to have been a passenger, and Tony Bartholomew, a nosy, antagonistic attorney at Raam’s firm. Though some are red herrings, Bach still manages to link them somehow to the main plot. Raam’s not initially likable, with his wake of girlfriends and exes collectively and flippantly known as “Commoner College.” His attraction to Kayman, however, gradually turns into something substantial and maybe even sentimental, while the savvy, physically capable private eye more than holds her own. Most readers will likely work out the killer’s identity before the protagonist, so that the final act, which entails the explanation of Dinia’s cryptic clues, comes across as an overly complex, roundabout way of unmasking a murderer.
A dandy tale whose deviations prove just as much fun, if not more so, than the murder mystery itself.Pub Date: March 7, 2012
ISBN: N/A
Page Count: 273
Publisher: CreateSpace
Review Posted Online: Oct. 20, 2016
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Now that Coben’s added politics to his heady brew, expect sex and religion to join the mix.
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Coben’s latest darkest-suburbs thriller sets a decidedly offbeat detective on the trail of a crime with overtones unmistakably redolent of once and future presidential elections.
Wilde is called Wilde because nobody’s known his real name from the moment a pair of hikers found him foraging for himself in Ramapo Mountain State Forest 24 years ago. Now over 40, he’s had experience as both a lost boy and a private investigator. That makes him an obvious person to help when his godson, Sweet Water High School student Matthew Crimstein, expresses concern to his grandmother, attorney Hester Crimstein, that his bullied classmate Naomi Pine has gone missing. Matthew doesn’t really want anyone to help. He doesn’t even want anyone to notice his agitation. But Hester, taking the time from her criminal defense of financial consultant Simon Greene (Run Away, 2019) to worm the details out of him, asks Wilde to lend a hand, and sure enough, Wilde, unearthing an unsavory backstory that links Naomi to bullying classmate Crash Maynard, whose TV producer father, Dash Maynard, is close friends with reality TV star–turned–presidential hopeful Rusty Eggers, finds Naomi hale and hearty. Everything’s hunky-dory for one week, and then she disappears again. And this time, so does Crash after a brief visit to Matthew in which he tearfully confesses his guilt about the bad stuff he did to Naomi. This second disappearance veers into more obviously criminal territory with the arrival of a ransom note that demands, not money, but the allegedly incriminating videotapes of Rusty Eggers that Dash and Delia Maynard have had squirreled away for 30 years. The tapes link Rusty to a forgotten and forgettable homicide and add a paranoid new ripped-from-the-headlines dimension to the author’s formidable range. Readers who can tune out all the subplots will find the kidnappers easy to spot, but Coben finds room for three climactic surprises, one of them a honey.
Now that Coben’s added politics to his heady brew, expect sex and religion to join the mix.Pub Date: March 17, 2020
ISBN: 978-1-5387-4814-5
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Dec. 23, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | THRILLER | SUSPENSE | GENERAL & DOMESTIC THRILLER | CRIME & LEGAL THRILLER
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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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