Next book

TAKING APART THE POCO POCO

A teasing domestic comedy set in today's grubby northern England, centering on a single day that threatens to tear a family apart. In his fourth novel to be published in the US, Francis departs from his trademark surrealistic, violent satires (Swansong, 1986, etc.) to venture into Roddy Doyle territory—24 hours in the life of a thoroughly unremarkable family, in the course of which everyone, including the dog, flirts with disaster. John and Margaret's 19th anniversary is the occasion, and as John fantasizes about having a fling and bearding his boss at the bank where he works, his wife agonizes over her secret appointment to have a lump in her breast examined. Meanwhile, eight-year-old Stephen mistakenly hops on a bus on his way to school and falls under the sway of a bellicose wino, and teenaged Ann plays hooky with a trio of youthful Jesus freaks headed for a fundamentalist Christian ``hoe-down.'' The author's intent is plain—``You could be transformed overnight, in the blink of an eye, from a perfectly ordinary family to a well-known local tragedy''—and his prose is vivid and convincing in the various set-pieces that introduce the characters. Francis can also be quite funny, particularly when writing from the dog's point of view (``He went into the front room and tried half-heartedly to fuck the settee, but it didn't convince....''). The plot, however, is built entirely on coincidence and arbitrary decisions—the (anti) climax being when Margaret meets John's boss at the clinic where he's having a lump of his own examined, and very nearly begins an affair with him at his house—an almost-affair interrupted by John's knock on the door. Each character, though, will end up blissfully ignorant of the danger that has come so near. Brilliant set-pieces aside, Francis delivers curiously underdeveloped people in a workmanlike plot—memorable mostly for one very mixed-up dog.

Pub Date: May 1, 1995

ISBN: 0-684-80337-2

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview