A comprehensive but scattershot biography of one of the most spirited writers of the 20th century.
A new biography takes an in-depth look at one of English literature’s most peripatetic figures.
Anyone interested in learning about the most violent conflicts of the previous century would get a good start by reading the works of Graham Greene (1904-1991). Born in Berkhamsted, England, he would become one of the literary world’s bravest adventurers, with travels to such hotspots as Sierra Leone, Liberia, Vietnam, Cuba, and Haiti. The clashes he witnessed enliven such novels as The Power and the Glory, Our Man in Havana, Monsignor Quixote, and many more. Richard Greene (no relation), a professor of English and editor of Graham Greene: A Life in Letters, uses recently discovered papers and letters (some were found in a “hollow book”) to offer “an account of his engagement with the political, literary, intellectual, and religious currents of his time.” While many of those papers are revelatory, readers are likely to be frustrated by the author’s habit of seguing from one topic to another without fully developing each one. For example, in 1960, “accidental defector” Guy Burgess asked to meet with Graham in Moscow. But the author gives only cursory details of the meeting before moving on to an account of Graham returning to London with a bout of pneumonia and then moving to France as a tax exile. When the author fleshes out events of his subject’s life, the narrative is more compelling. The book is at its strongest in passages that document Graham’s eventful travels, such as his trip to Indochina for research on The Quiet American, the atrocities he witnessed in Haiti under Papa Doc Duvalier and used as the basis for The Comedians, and the many chapters on his travels to Panama and his friendship with military leader Omar Torrijos during the country’s struggles for sovereignty.
A comprehensive but scattershot biography of one of the most spirited writers of the 20th century.Pub Date: Jan. 12, 2021
ISBN: 978-0-393-08432-0
Page Count: 512
Publisher: Norton
Review Posted Online: Aug. 24, 2020
Kirkus Reviews Issue: Oct. 1, 2020
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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