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FALLING UPWARDS

HOW WE TOOK TO THE AIR

Meticulous history illuminated and animated by personal passion, carried aloft by volant prose.

The biographer of two great Romantics (Shelley and Coleridge) relates yet another romantic tale—the story of the human passion to fly up, up and away in a beautiful balloon.

Holmes (The Age of Wonder: The Romantic Generation and the Discovery of the Beauty and Terror of Science, 2009, etc.) begins with a memory—a flying dream from childhood—mentions Daedalus and Icarus, some balloons in literature, films and popular culture, and then lifts off into another of his delightfully soaring histories. He notes that the French were the first to use balloons for military purposes (reconnaissance), then tells us about some of the most notable balloon pioneers, including André-Jacques Garnerin, who also pioneered parachutes. Holmes focuses on the accomplishments (and failures) of a number of other principals, including Charles Green (many of his flights lifted off from Vauxhall Gardens), Henry Mayhew, Eugène Godard, John Wise, James Glaisher, Camille Flammarion, Gaston Tissandier and Salomon Andrée, whose attempt to reach the North Pole in 1897 ended in death for all aboard his vessel. Holmes reminds us of ballooning in the fictions of Mary Shelley, Edgar Allan Poe, Jules Verne, Mark Twain (whose Tom Sawyer Abroad reunited the Huck-Jim-Tom trio for a flight across the Atlantic) and others. He tells, as well, about spectacular failures—crashes, fatal and otherwise. His two most gripping segments are the airlift from Paris during the Franco-Prussian War (1870-1871)—dozens of flights took mail and other dispatches out of the city during the siege—and the assault on the North Pole. One great irony regarding the latter: The aeronauts, on the ground after the balloon could no longer fly, shot and ate polar bears; later, the bears ate them.

Meticulous history illuminated and animated by personal passion, carried aloft by volant prose.

Pub Date: Oct. 29, 2013

ISBN: 978-0-307-37966-5

Page Count: 416

Publisher: Pantheon

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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