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THE AGE OF WONDER

Enjoyable excavation of a time when science and art fed off each other, to the benefit of both communities.

Energetic analysis of the “Romantic Age of Science.”

Romanticism, the deeply emotional artistic movement of the second half of the 18th century, was partly a reaction against the pragmatism of Enlightenment scientists. However, British historian Holmes (Sidetracks: Explorations of a Romantic Biographer, 2000, etc.) writes, the divide between scientific endeavors and artistic pursuits was not always so clearly delineated. The author focuses primarily on the lives of two men who straddled both worlds, who embraced “Romantic science” and pursued it with the passion of poets or painters. Astronomer William Herschel, who discovered the planet Uranus in 1781, started his career as a musician. That led to an interest in mathematics and then astronomy, which he pursued with the same emotional fervor as any classical music piece. He even compared his skill at seeing astronomical phenomena with the skill required to play Handel’s fugues. Holmes also looks at the British chemist Humphry Davy, who, among other accomplishments, discovered that chlorine and iodine were elements. Early on, Davy wrote poetry, and later became friends with Samuel Taylor Coleridge. One of his poems celebrated “science, whose delicious water flows / From Nature’s bosom.” Davy’s enthusiasm led to risky, self-destructive behavior—he often inhaled strange chemical gases as experiments, a practice that nearly killed him. While partaking of nitrous oxide with acquaintances, he extolled the glories of science: “I dream of Science restoring to Nature what Luxury, what Civilization have stolen from her—pure hearts, the forms of angels, bosoms beautiful, and panting with Joy & Hope.” Davy may have had a brilliant scientist’s brain, but he had the heart and soul of a poet. How these two contradictory ideas not only coexisted, but flourished together during the Romantic era, makes for engrossing reading.

Enjoyable excavation of a time when science and art fed off each other, to the benefit of both communities.

Pub Date: July 14, 2009

ISBN: 978-0-375-42222-5

Page Count: 576

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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