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VICTORIA AND ALBERT

THEIR LOVE AND THEIR TRAGEDIES

A delightful and engaging joint biography of Queen Victoria and her husband, Prince Albert, from prolific popular historian and British royals watcher Hough (Born Royal: The Lives and Loves of the Young Windsors, 1988, etc.). When the 20-year-old Queen Victoria married Albert of Saxe-Coburg-Gotha in 1840, the United Kingdom was the richest and most powerful country in the world. Hough draws chiefly on Victoria's letters and extant journals to give us the story of these young people until Albert's premature death from typhoid in 1861. We read of Victoria's secluded upbringing and limited education, designed to shield her from the decadence and unpopularity of her predecessors on the throne, and of Albert's sense of moral duty and public service, in contrast with his own equally dissolute family. Despite occasional rows and misunderstandings, Victoria was totally devoted to her consort. Albert, at first unpopular in his adopted nation, provided invaluable emotional support to a frequently nervous and insecure Victoria. His greatest triumphs were probably his role in keeping Britain from entering the American Civil War on the side of the South and his promotion of the Great Exhibition, held in London in 1851 to celebrate the Industrial Revolution and promote peace in Europe. The couple had nine children (against popular sentiment, Victoria used chloroform to ease the pains of childbirth), and the queen later blamed their eldest son and heir, the future Edward VII, for his father's death, which followed the shocking news of Edward's first of many sexual misadventures. Hough avoids cheap sensationalism, but his narrative is at times maddeningly matter- of-fact: He offers few interpretive insights and gives the reader no explanations of Victoria's constitutional position and political views (e.g., why her refusal to dismiss certain ladies on her staff resulted in the collapse of the Tory government in 1839). Nonetheless, a fitting corrective to Victoria's often misunderstood popular image. (8 pages illustrations, not seen)

Pub Date: Nov. 19, 1996

ISBN: 0-312-14822-4

Page Count: 240

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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