by Richard J. Evans ‧ RELEASE DATE: April 1, 2019
Evans clearly admires his subject but does not hesitate to consider the rougher edges—a book that will rightly bring new...
A well-considered life of the influential British historian, written by a Cambridge University historian who himself is well-known for many important works.
With an unusual name that came as a result of an immigration official’s misrendering of the original Obstbaum, Eric Hobsbawm (1917-2012) was unusually erudite at a very early age, well-traveled, and endlessly curious about the ways of the world. He took his birth in the year of the Russian Revolution as something of a talisman, and though Evans (The Pursuit of Power: Europe 1815-1914, 2015, etc.) deems it a coincidence, it was “one that somehow stood as a symbol for the political commitment he was to gain later on.” Already a Marxist as a teen, though one, fellow travelers complained, more given to debate than activism, Hobsbawm was a lifelong polymath who was equally at home in the literature stacks and the historical annals. As Evans enumerates, he devoured detective novels along with the Greek tragedies and works by authors in numerous languages, from Marlowe to Chekhov and beyond. Though a professional chronicler of the past—even the FBI, of which he would run afoul, called him “a noted historian”—Hobsbawm considered himself foremost a writer. His works, such as The Age of Capital (1975), remain widely read today, marked by what Evans justly praises as “readability, analytical penetration and vivid detail." During his long life, Hobsbawm was also a Marxist critic of capitalism, if one who also resisted Stalinism and a fixed party ideology; his opposition to the Vietnam War, for instance, was fierce but nuanced. For all that, as Evans writes with some circumspection, Hobsbawm also enjoyed an active extracurricular life that included a ménage a trois as intellectual as it was physical, a surprise in a book full of them.
Evans clearly admires his subject but does not hesitate to consider the rougher edges—a book that will rightly bring new attention to both writers.Pub Date: April 1, 2019
ISBN: 978-0-19-045964-2
Page Count: 756
Publisher: Oxford Univ.
Review Posted Online: Jan. 12, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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