by Richard Kurin ‧ RELEASE DATE: Nov. 5, 2013
A well-conceived and well-illustrated pleasure to read, combining narrative history and keepsake volume.
An overstuffed exploration of American history as related through material artifacts, from Meriwether Lewis’ compass to relics of the Space Age.
The “history of X in Y objects” trope, launched by Neil MacGregor’s History of the World in 100 Objects a few years ago, is already in danger of becoming a cliché. Indisputably, though, if you wanted to learn about American history through material holdings, the Smithsonian would be the place to start and end, just as the British Museum served as the trove of first and last resort for MacGregor. Smithsonian Undersecretary Kurin’s (Madcap May: Mistress of Myth, Men, and Hope, 2012, etc.) tales are abundant, so much so that it seems almost a shame to stop at a mere 101 items, fat though this book is. For instance, who knew that the original Stars and Stripes, the flag that flew over Fort McHenry during the War of 1812, was packed off to shelter in the Shenandoah Valley of Virginia during World War II because Franklin Roosevelt “feared Germany might bomb the National Mall”? Beginning 500 million years ago, Kurin celebrates the Burgess Shale fossils, which gave Stephen Jay Gould material evidence for his evolutionary theory of punctuated equilibrium; then writes of the bald eagle, “adopted as a national symbol…for its connotations of indomitable force”; and then turns to Clovis points, the tools that early Indian hunters used to bring down mammoths, bison and perhaps even an eagle or two. Rocketing through hundreds of years by way of a Colt revolver, the lyrics to “This Land Is Your Land” and Sitting Bull’s sketchbook (again, who knew?), Kurin closes with some of the tools of our time, from Chuck Berry’s guitar to the first Apple computer and on to galaxies far beyond our own.
A well-conceived and well-illustrated pleasure to read, combining narrative history and keepsake volume.Pub Date: Nov. 5, 2013
ISBN: 978-1-59420-529-3
Page Count: 768
Publisher: Penguin Press
Review Posted Online: Sept. 9, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Wendy Holden ‧ RELEASE DATE: May 5, 2015
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...
The incredible true story of three Jewish women who survived the Holocaust.
Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.Pub Date: May 5, 2015
ISBN: 978-0-06-237025-9
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 28, 2015
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by Patricia Gucci with Wendy Holden
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by Sheila Escovedo with Wendy Holden
by John Kelly ‧ RELEASE DATE: Feb. 1, 2005
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.
A ground-level illustration of how the plague ravaged Europe.
For his tenth book, science writer Kelly (Three on the Edge, 1999, etc.) delivers a cultural history of the Black Death based on accounts left by those who witnessed the greatest natural disaster in human history. Spawned somewhere on the steppes of Central Asia, the plague arrived in Europe in 1347, when a Genoese ship carried it to Sicily from a trading post on the Black Sea. Over the next four years, at a time when, as the author notes, “nothing moved faster than the fastest horse,” the disease spread through the entire continent. Eventually, it claimed 25 million lives, one third of the European population. A thermonuclear war would be an equivalent disaster by today's standards, Kelly avers. Much of the narrative depends on the reminiscences of monks, doctors, and other literate people who buried corpses or cared for the sick. As a result, the author has plenty of anecdotes. Common scenes include dogs and children running naked, dirty, and wild through the streets of an empty village, their masters and parents dead; Jews burnt at the stake, scapegoats in a paranoid Christian world; and physicians at the University of Paris consulting the stars to divine cures. These tales give the author opportunities to show Europeans—filthy, malnourished, living in densely packed cities—as easy targets for rats and their plague-bearing fleas. They also allow him to ramble. Kelly has a tendency to lose the trail of the disease in favor of tangents about this or that king, pope, or battle. He returns to his topic only when he shifts to a different country or city in a new chapter, giving the book a haphazard feel. Remarkably, the story ends on a hopeful note. After so many perished, Europe was forced to develop new forms of technology to make up for the labor shortage, laying the groundwork for the modern era.
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.Pub Date: Feb. 1, 2005
ISBN: 0-06-000692-7
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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by John Kelly ; illustrated by IGNITE Animation Studios
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by John Kelly
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by John Kelly ; illustrated by John Kelly
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