The three men are Charles Darwin, Beagle Captain Robert FitzRoy, and a Tierra del Fuegian island Yahgan Indian taken hostage, along with several others, on an earlier Beagle voyage. In reality, the book is about this native, named Jemmy Button by FitzRoy, and only incidentally and speculatively about the other two. Button was a boy when FitzRoy brought him the England with the intention of educating him and the others, making them Christians, and returning them to South America to serve as bridges to culture. FitzRoy, himself a devout believer, would be aided and abetted by missionaries who later formed the Patagonian Mission. The well-dressed Button and his companions were subsequently returned to their homeland and, it seems, quickly reverted to the old life style. Years later we meet Button again as one of a group of natives persuaded or commanded to attend a missionary camp on one of the Falkland Islands and later returned. Still later, there is a harrowing massacre of missionaries for which a survivor blames Button. By this time, however, political sentiment and economic interests in the Falklands were not so sympathetic to the mission and the forced settlement of Indians: Nothing happened to Button—except that he died of smallpox in 1864, preceding the eventual extinction of the race itself. And that is the story that Marks, author of two novels published in the 1950's, who ``wildcats for oil and natural gas,'' embroiders with much psychologizing and much limning of Yaghan society as nature raw in tooth and claw (yet possessed, it seems, of a rich language). In the end we hear about the career setbacks and depressions that led to FitzRoy's suicide and read about Darwin's fame and fortunes. (Marks would like us to believe that FitzRoy and Darwin were tied in a lifelong tension of friendship/conflict.) True, there are accounts of incredible personalities, brave missionaries, and skilled sea captains, but the whole saga smacks of a very b&w late-night movie.
Pub Date: April 17, 1991
ISBN: 0-394-58818-5
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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