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STATIONS OF THE HEART

PARTING WITH A SON

A fond view of a father-son relationship and a loving tribute from a minister to a son who chose a different spiritual path...

A father’s deeply felt memoir of witnessing his son’s final months and grieving at the young man’s death.

In April 2005, Lischer (The End of Words: The Language of Reconciliation in a Culture of Violence, 2005, etc.), a Lutheran minister and faculty member at Duke Divinity School, received a phone call from his 33-year-old son Adam telling him that his melanoma had returned. What the author did not know was that in little more than three months, Adam would be dead. Stories of battling cancer are commonplace, as are stories of bereavement; what gives this story a twist is the religious angle. When Lischer’s son learned of his diagnosis, he became more heavily involved in the Catholic Church. He and his pregnant Catholic wife adopted a series of daily rituals that involved lighting candles, attending Mass, praying and reading the Bible. As his son’s faith was increasing, Lischer’s was drying up: “I saw my son…motionless, serene as a sanded statue, and lost in a realm I could not enter.” The author compares his experiences with his dying son to walking the Stations of the Cross, but here the reminders of pain are more mundane—visits to labs, meetings with oncologists, etc. By June, Lischer was searching for a cemetery, and in July, he was camping out in his son’s hospital room listening for his last breath. After Adam’s death, the author came to see grief as a series of dark caves of longing and despair that one repeatedly falls into, not unlike the anguish of a parent watching over a terminally ill child. The book ends on a somewhat brighter note with the baptism of Adam’s daughter.

A fond view of a father-son relationship and a loving tribute from a minister to a son who chose a different spiritual path in his life and to his death.

Pub Date: Jan. 24, 2013

ISBN: 978-0-307-96053-5

Page Count: 272

Publisher: Knopf

Review Posted Online: Nov. 18, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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