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BLINDSIDED

LIFTING A LIFE ABOVE ILLNESS

A sharp and affecting piece of perspective-setting.

Longtime journalist and former television producer Cohen recounts with aplomb and high character his years battling chronic illness.

This couldn’t have been easy to write. The author is reticent by nature, so laying bare the impact of multiple sclerosis and cancer—his malfunctioning limbs, numb appendages, bad gut, loss of vision, his anger, his fragile grip on life—is an act of emotional health that, though salubrious, clashes with some of his basic instincts. Multiple sclerosis has no treatment, no certain outcome, no definitive cause, and no cure; it is a process, a grim pileup on the central nervous system. Cohen tested limits, postponed consequences, and practiced denial, then started learning the art of candor: to whom and when to be honest about his illness. After stints in Gdansk and Beirut, this television producer on a rip admitted that his death-defying behavior was absurd, that he was not right and fit as rain. Nonetheless, he wanted (along with other things, like walking upright and seeing straight) a woman in his life and a family. He found Meredith Vieira, also in the TV business, whose desire to be a hands-on mother made her a cause célèbre among some in the 60 Minutes studio. And Cohen was busy elsewhere, with their children, learning that “those who battle with illness are blind to the fact that even in our pain, we give to our loved ones, even as we receive.” As a parent, he realized, “a temporary ileostomy was the least of my worries. . . . I laughed ruefully, bitterly, at the situation and at myself.” Via a number of sources, Cohen ultimately learns that coping is “just a quiet task aimed at emotional well-being, if not survival,” and that there will likely be many jarring moments ahead for everyone. He lays out these lessons in unflappable prose, freely acknowledging that his behavior is not always so even-tempered.

A sharp and affecting piece of perspective-setting.

Pub Date: Feb. 1, 2004

ISBN: 0-06-001409-1

Page Count: 256

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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