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ROGUE WARRIOR: TASK FORCE BLUE

In their third outing, Marcinko and his roguish warriors do violent, imaginative battle with America's home-front enemies. Following retirement as a US Navy SEAL, Marcinko embarked on an active if fictive career as a handyman for the military (his vastly entertaining exploits are chronicled in such blood-and- thunder opera as Rogue Warrior: Green Team, 1995). This time around, the salty Vietnam vet and his handpicked crew are detailed to staunch the illicit flow of heavy weapons and ammunition from government arsenals. Thanks to the cyberspace talents of a young petty officer who can hack into Pentagon computers, Task Force Blue soon learns its ageless leader is the designated fall guy in a power struggle pitting would-be usurpers against constituted authority. Despite the best efforts of their establishment foes, Marcinko and his merry men track a truckload of stolen arms from Detroit to Tampa, from whence it is shipped to an oil rig in the Gulf of Mexico. They storm the offshore drilling platform, which is owned by billionaire L.C. Strawhouse, and learn that the rig is used to supply ordnance to disaffected militia groups and drug gangs throughout the country. Back on dry land, the seagoing irregulars also discover that the ultraconservative Strawhouse (who tries to enlist Marcinko in his mad cause) has been equipping domestic terrorists in hopes their lethal rampages might permit a reactive putsch that could put him in the White House. While by no means taken with the incumbent chief executive or his wimpy underlings, Marcinko pursues the man who would be America's king to a heavily guarded command post in the southern California desert. In a climactic confrontation inside the fortress, he exposes and foils Strawhouse's sinister plot before dispatching its architect in decidedly imaginative fashion. Another walk on the wild side with the Marcinko mob. (Military Book Club main selection; author tour)

Pub Date: March 1, 1996

ISBN: 0-671-79958-4

Page Count: 368

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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