AN AFFAIR OF HONOR

Name: AN AFFAIR OF HONOR
Author: Richard Marius
ISBN: 0-375-41239-5

by Richard Marius ‧ RELEASE DATE: Sept. 20, 2001

That Marius (After the War, 1992, etc.), who died in 1999, could create a vivid cast of characters is made clear once again....

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Published posthumously, Marius’s last is a brilliant though overcrowded story about a young southerner’s violent coming-of-age.

It’s Bible Belt Tennessee in the years just after WWII, a place where fundamentalism controls things merely in the religious but in every sense. Nevertheless, a handful of closet radicals have managed to sustain themselves and are keeping their heads down here and there in Bourbon County. Charles Alexander, barely 20, is one of them, though he has yet to fully acknowledge his apostasy even to himself. In fact, as far as family and friends are concerned, his sights remain set on the Baptist ministry. Now, however, skepticism has begun to erode faith. Moreover, he’s fallen in love with an avowed radical, a quintessentially rational young woman who regards all organized religion as absurd, the product of ignorance and/or self-delusion. And then, while conflicting ideas make battlefields of his mind and heart, Charles experiences the event that at first traumatizes him but eventually serves as his crucible: he watches as one of the Kirbys, in thrall to the mountain man’s code, shoots down his adulterous wife and her lover. In the next moment, Kirby presses his revolver against Charles’s temple, saying: “I’ve got to kill you, too, boy.” Inexplicably, however, he doesn’t, thus letting the sole witness to his crime go free. Kirby’s arrest and trial follow swiftly; reluctantly, Charles testifies against him. In doing so, he becomes instant hero to many and pariah to some. And to himself a torment until he finally arrives at the kind of insight that permits a resolution.

That Marius (After the War, 1992, etc.), who died in 1999, could create a vivid cast of characters is made clear once again. But this is a book chock-a-block with characters, the vivid and the prosaic getting virtually equal treatment.

Pub Date: Sept. 20, 2001

ISBN: 0-375-41239-5

Page Count: 448

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

Categories:

LITERARY FICTION

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MARTIN LUTHER
by Richard Marius

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by Richard Marius

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CONCLAVE

by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

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Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Categories:

GENERAL THRILLER & SUSPENSE | LITERARY FICTION | RELIGIOUS FICTION | SUSPENSE | SUSPENSE

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PRECIPICE
by Robert Harris

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by Robert Harris

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by Robert Harris

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.