by Richard Marius ‧ RELEASE DATE: March 1, 1999
The darkest biography yet of the irascible Luther, by Harvard professor emeritus and novelist Marius (Thomas More: A Biography, 1984, etc.). Marius claims that Luther’s profound fear of death drove him to the extremes of the Reformation—extremes that, in Marius’s view, were largely unnecessary to achieve lasting change. Marius may have overstepped the biographer’s boundaries by concluding that history without Luther would have been far much more peaceful: “for more than a century after Luther’s death, Europe was strewn with the slaughtered corpses of people who would have lived normal lives if Luther had never lived at all.” Marius places the blame for much of modern ontological uncertainty squarely on the monk’s shoulders, and also saddles him with responsibility for desacralizing communion, contributing to the decline of biblical authority, and plunging Europe into religious intolerance. These charges may be harsh, but Marius does show where Luther’s writings degenerated into virulent anti-Semitism (a topic universally glossed over by previous biographers) and superstition. Marius also surpasses other biographers in tortuously documenting the reformer’s dark side; here we see Luther as an unstable individual whose depths of despair were truly frightening. Yet Marius’s book tends too far in this direction and almost completely ignores the joy that also, paradoxically, suffused Luther’s copious writing and his personal life. Marius chooses to end Luther’s story in 1527, almost two full decades before his death, saying that the later Luther is “not as interesting” as the man who sparked the Reformation. But by neglecting the last two decades of Luther’s life Marius also ignores his transformation into a family man and, at times, a mellower creature. Marius’s book should be read in tandem with Heiko Oberman’s similarly titled Luther: Man Between God and the Devil for a more balanced portrait. Valuable for its depiction of Luther’s mad wrestling with doubt and despair, but too one-sided to capture the contradictions in its complex subject. (16 b&w photos, not seen)
Pub Date: March 1, 1999
ISBN: 0-674-55090-0
Page Count: 532
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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