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WHO LEFT THE LIGHT ON?

From little variations in habit, big changes occur, and everyone seems happier, including young readers.

“This is my town, / simple and typical. / Each house has a door, / two windows, a red roof / —all so predictable.”

The unseen inhabitants follow suit: “At sundown, the neighbors close their shutters—goodnight! / At daybreak, they open them—oh so polite.” The identical houses, created in what appears to be digital collage and arranged in a geometric grid, give the initial pages a quiltlike appearance, the compositions flat but appealing. “But then one night…someone leaves on their light! / And in the morning, what a shock! / The shutters are sealed tight!” The neighbors gossip about this “irksome behavior,” but soon the rebel leaves. The house falls into disrepair, and the town destroys it. They eventually come back, with architectural elements gathered from the world over, and construct a “comical” house with a Russian onion dome, Dutch windmill vanes, and the upturned eaves of a Japanese temple roof, all above similarly disparate features. Yes, some of the elements are stereotypical, but the “oddball’s” creativity starts the ball rolling. Beginning with blue shutters on one house, everyone starts innovating. There’s “an open-air bathroom” and “a house made of sticks.” The houses grow ever more idiosyncratic, and soon the comical house doesn’t stand out at all. This translation from the French, told in simple rhyme, will inspire young architects to think outside the box.

From little variations in habit, big changes occur, and everyone seems happier, including young readers. (Picture book. 4-7)

Pub Date: Nov. 20, 2018

ISBN: 978-1-63206-189-8

Page Count: 30

Publisher: Restless Books

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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