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THE ORANGE BOOK

In authoritatively drawn illustrations that might have been devised as a showcase for the brash, sophisticated style associated with The New Yorker (exemplified on its annually repeated cover), 14 oranges from a single tree go their separate ways—to a lunch room, juggling act, marmalade factory, construction crew, etc.—all providing opportunities to display techniques of representing settings, perspectives, and, especially, classic caricatures, including six students doing a still life. Except for the brilliant oranges, the drawings are in a nicely complementary blue. Recently chosen for a Gold Medal by the Society of Illustrators, an offbeat counting book to amuse and educate the eye. (Picture book. 3+)

Pub Date: Oct. 1, 1992

ISBN: 0-8478-1465-3

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1992

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PETE'S A PIZZA

Steig (Toby, Where Are You?, 1997, etc.), inspired by a game he used to play with his daughter, turns a rainy day into a pizza party, starring a caring father and his feeling-blue son, Pete. Just when Pete was set to go play ball with his friends, it starts to rain. His melancholy is not lost on his father: “He thinks it might cheer Pete up to be made into a pizza.” Which is just what the father proceeds to do. Pete is transported to the kitchen table where he is kneaded and stretched, tossed into the air for shaping, sprinkled with oil and flour and tomatoes and cheese (water, talcum, checkers, and bits of paper). He then gets baked on the living room couch and tickled and chased until the sun comes out and it is time to speed outside, a pizza no more, but happy. What leaps from the page, with a dancer’s grace, is the warmth and imagination wrapped in an act of kindness and tuned- in parenting. As always, Steig’s illustrations are a natural—an organic—part of the story, whether Pete’s a pizza, or not. (Picture book. 5-10)

Pub Date: Oct. 31, 1998

ISBN: 0-06-205157-1

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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PILLOWLAND

For Berkner’s fans; there are much better books about children visiting imaginative lands.

Berkner’s children’s song gets the picture-book treatment with illustrations from Garoche.

What kid hasn’t made a massive pillow fort and imagined all sorts of adventures? Well, Berkner’s premise is that there is a land where everything is made of pillows, and three lucky children get to visit there. (They appear to be siblings, perhaps a blended family: Mom and one girl are black; Dad, one boy, and one girl are white.) The illustrations transition between depictions of obvious imaginative play in a bedroom to a fantasy world and back again at the end, when the parents peek in at the three asleep. Garoche’s art consists of photos of papercut artwork arranged in dioramas with some Photoshop details. Reminiscent of Michael Garland’s work (though more pastel in color) or that of Elly McKay (though less ethereal), the illustrations are a mixed bag, with layers and hard edges juxtaposed against all the pillows. The king and queen of the song are obviously stand-ins for the parents. Children who know the tune may not sit still for a reading, while those who don’t may wonder at the repeated refrain.

For Berkner’s fans; there are much better books about children visiting imaginative lands. (Picture book. 3-7)

Pub Date: Nov. 7, 2017

ISBN: 978-1-4814-6467-3

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: Aug. 11, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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