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BRAINSCAPES

AN INTRODUCTION TO WHAT NEUROSCIENCE HAS LEARNED ABOUT THE STRUCTURE, FUNCTION, AND ABILITIES OF THE BRAIN

An orthodox approach that works. Old-fashioned gross anatomy, cell biology, neurochemistry, and physiology are the tools Washington-based neurologist Restak (The Modular Brain, 1994, etc.) uses to teach the wonders of the human brain. Thus, the first chapters recap what we know about the brain's hemispheres and the major landmarks that demarcate areas associated with language, emotion, thought, vision, movements, and the like. These are followed by the essentials of how nerve cells are organized, how they communicate with each other, and the many varieties of chemicals that grease the neural circuitry. To be sure, along the way there are countless examples that illustrate what can go wrong when illness or injury strikes, from all too familiar incurable conditions like Parkinson's or Alzheimer's disease to more rare syndromes like Lesch-Nyhan, a genetic disease involving self-mutilation. Later, Restak introduces case studies from his own practice and explains how a subject's reports combined with new methods of brain imaging can help pin down the diagnosis as well as illustrate normal brain function. Toward the end of the book Restak comes to grips with some old and new issues: the perennial problems of self-awareness and free will; the ethical dilemma raised by defense lawyers who may argue that their client's neurological illness predisposed them to violence (too simplistic; we don't know enough to eliminate personal responsibility). Equally problematic is the issue of ``improving'' our minds through drugs (like Prozac). Perhaps the question to be raised here is whether such psychoactive drugs improve ``normal'' performance or only correct deficits. Overall, Restak has managed a remarkable sweep of information in a short book: proving that if you lay down your anatomical landmarks in advance, you can lead the reader to some very exciting and promising brain(land)scapes. (15 b&w illustrations, not seen)

Pub Date: Oct. 1, 1995

ISBN: 0-7868-6113-4

Page Count: 160

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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