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COLOGNE NO. 10 FOR MEN

A funny and serviceable satire about the gross rationalizations that propel war and peace.

A soldier in Vietnam invents a uniquely absurd solution to the horrors of war.

A relatively naïve Wilfred Carmenghetti comes to the Far East to outmaneuver the draft and save the Western world, but when he lands at the First Battalion to join an air-mobile platoon in the 13th Cavalry, the young Army lieutenant is greeted with a profane censure of communism and the offer of a $30 prostitute. Once he gets over his initial dismay, Wilfred accepts his place in this peculiar milieu by bonding with a black rabble-rouser named Joshua Henry and falling madly in love with a dilettante Vietnamese girl. Morris, once a rifle platoon leader who tread in the same rice paddies as his fictional character, writes convincingly of battle, bloodshed and the disarming brevity of sudden, violent death. He also infuses his war story with the black humor prevalent in many modern American war stories like Catch-22 or M.A.S.H. as Wilfred struggles to outmaneuver the incompetently bureaucratic Lt. Col. Clary, his lapdog Capt. Simms and an engaging, philosophical Vietnamese spy. The book, played out in discrete segments following groups of characters on missions that usually relate more to their own motivations than the company line, also carries echoes of Tim O’Brien’s similarly toned The Things They Carried. Eventually Wilfred, traumatized by his experiences and absorbed in a debate with himself over the nature of humanity, arrives at a fanciful conclusion that involves recycling the bodies of dead Vietcong to satisfy his superior’s appetite for grossly elevated body counts. “What we need to create is the functional equivalent of war: Everything except the killing,” he says. To wit, the illusion of war.

A funny and serviceable satire about the gross rationalizations that propel war and peace.

Pub Date: Feb. 1, 2007

ISBN: 978-0-595-42431-3

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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