In 23 stories, poems, and jottings, the fifties teen icon gets the full treatment hitherto reserved for Peabody and Ebersole's Mondo tributes to Elvis, Barbie, and Marilyn. Ever since his death at 24 in a car crash, the essence of Dean's cult standing has always been his unfinished status, his promise cut short so young, so it makes sense for the authors to use unusual freedom in reinventing him. Michael Hemingson takes him deep into Anne Rice territory; Stephanie Hart entangles him with the gorgeously misunderstood Cal Trask; Lewis Shiner shows that it's Dean, not Elvis, who had run-ins with space aliens; Jack C. Haldeman imagines him as a race-car driver (with Sal Mineo as his Boy Wonder mechanic and Natalie Wood as a pert Saturday Evening Post reporter); Louisa Ermelino packs him off to modern-day Afghanistan; and James Finney Boylan, in the volume's most amusing conceit, unmasks him as Jimmy Dean, the Sausage King. For a (barely) different point of view, try David Plumb's sketch of Dean's fictitious son, Michael Marton's testimonial from his high-school English teacher, Hilary Howard's discovery that Dean is her new guardian angel (``You are hereby free of all your neurotic hang-ups. Have a cigarette''), or Bentley Little's search for the lug wrench Dean tossed out of the frame in Rebel Without a Cause. All through these pieces, though—and in the excerpts from Ed Graczyk's Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean and Edwin Corley's Farewell My Slightly Tarnished Hero, and the poems by Ai, Reuben Jackson, Tino Villanueva, and Terence Winch—the tabula rasa is remarkably consistent: a surly yet sensitive sex machine mounted on fast cars or cycles, alienated as all getout. In fact, the immitigably 50's Dean is so stiff and unyielding in story after story that all too often he seems like an interloper at his own homage.
Pub Date: Feb. 1, 1996
ISBN: 0-312-14121-1
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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