by Richard Rodriguez ‧ RELEASE DATE: Oct. 7, 2013
With compassion and profundity of vision, Rodriguez offers a compelling view of modern spirituality that is as multifaceted...
An acclaimed gay intellectual and journalist’s musings on the state of and interrelationship among Christianity, Judaism and Islam in the post-9/11 digital age.
In this collection of essays, Rodriguez stylishly delves into the meaning of life, death, sexuality and the printed word in the 21st century by examining his own Christian faith. The events of 9/11 awakened him to the fact that the God he worshipped as a Catholic was “the same desert God [to which] the terrorists prayed.” He went to Jerusalem to experience the “ecology” of the place that gave rise to not only Christianity, but also Judaism and Islam. In the emptiness of the desert, the printed word came to have sacred status for all three religions. What partially distinguished them were notions of paradise. “For Jews,” he writes, “Eden was pre-desert [and] [f]or Christians and Muslims, paradise…[was] post-desert.” Rodriguez transforms his insights into lenses through which he views not only himself and the gay community to which he belongs, but also American culture. A friend’s Easter Sunday death from AIDS in the Las Vegas desert becomes an occasion to ponder the campy neon paradise the city represents. A beloved female friend he refers to only as “Darling” becomes the focal point for witty meditations on how Rodriguez’s own place as a homosexual in both the church and society depends on female empowerment, or lack thereof. The death of newspapers becomes a way for the author to reflect on the rise of technology. In this new “enlarging, unstable [and] ethereal” world, the former weightiness of words has been replaced by a disturbing relativism. Like newspapers, sacred texts such as the Bible, Torah and Quran become little more than objects stripped of meaning.
With compassion and profundity of vision, Rodriguez offers a compelling view of modern spirituality that is as multifaceted as it is provocative.Pub Date: Oct. 7, 2013
ISBN: 978-0-670-02530-5
Page Count: 256
Publisher: Viking
Review Posted Online: Aug. 6, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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