After eight fine westerns detailing the exploits of Barnaby Skye as a mountain man during the 1850s and '60s, old pro Wheeler (Sierra, 1996, etc.) fills in the blanks in his colorful protagonist's background—beginning in 1826, when the frontiersman- to-be arrived in North America, through his backwoods apprenticeship in the Rockies. Shanghaied by a press gang off the streets of London at age 14, Skye spends 7 years aboard a Royal Navy frigate before he's able to jump ship at Fort Vancouver. Evading both the British sailors and Hudson's Bay Co. minions directed to bring him back alive, the seaman makes his way to the Columbia River basin. Once slated to attend Cambridge like his merchant father, young Skye hopes to reach Boston, enter Harvard, and secure the education that will ensure him his birthright. Along his wayward way, however, he falls in with friendly Shoshone Indians who conduct him to a so- called Rendezvous, an annual trappers' fair in the Cache Valley, safely outside Canadian jurisdiction. While at this hinterland jamboree, Skye wins the respect of such high-country legends as Jim Bridger and Jebediah Smith; he also encounters Many Quill Woman, the Crow lass who will soon become his wife. Still bent on reaching the New World's Cambridge, Skye then sets out on his own for St. Louis. Soon relieved of his horses and kit by marauding Blackfeet, he has little time to link up with a crew of freelance nimrods before hard snows hit the mountains. After further adventures, he joins forces with his new associates in the Yellowstone area, helps make the beaver trapping season a financial success, and winters with the Crows. Eventually finding the call of the wild a whole lot stronger than the lure of the classroom, Sky marries his dusky maiden and, come spring, sets out with his westering comrades on another hunt. A promising start in what appears to be an absorbing, authoritative series.
Pub Date: Dec. 9, 1997
ISBN: 0-312-86319-5
Page Count: 352
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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