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WHEN THE SAX SINGS

Entertaining characters and smart dialogue enliven a rather straightforward mystery.

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A detective reluctantly comes out of retirement to help a university professor who’s been framed for multiple crimes.

It’s been six months since retired detective Art Bransome’s wife passed away, leaving him desperate and lonely. He’s on the verge of considering an “eternal retirement” by ending his own life when he gets a call from reporter Jason Powers. Bransome and Powers crossed paths during his final case—a grisly affair involving Powers’ murderous ex-girlfriend—and Bransome would rather never see him again. But Powers needs Bransome’s help and can sense that the ex-detective needs something to pull him back from the brink. Bransome soon finds himself at Powers’ house in Santa Rosa, California, trading barbs with Powers’ brother, Donnie, a computer hacker who uses his skills only for the sake of comedy and practical jokes. There’s also Powers’ good friend, Professor Reginald “Reg” Carlton. After years of running a successful chemistry research lab at the local university, Reg has been suspended and is waiting for criminal charges after an avalanche of accusations has derailed his life and implicated him in a local meth ring. Someone has framed Reg for using university resources to buy the supplies and cook the meth on school property, Breaking Bad–style, all while fabricating his real data. To top it off, one of his postdoc students is pregnant, claiming that Reg is the father. Reg maintains his innocence on all fronts, and as Bransome starts to poke around, he discovers one of Reg’s students is missing and that the university administrators shunning Reg might have much more to protect than just the school’s reputation. Powers and Bransome set off interviewing graduate students and professors, uncovering a web of lies built to protect someone who is clearly willing to kill to keep their secrets safe. As Bransome starts to hear the familiar, enticing music of a case about to break wide open, he realizes that he may have just found his path back into the world of the living.

Fans of violent, shocking thrillers might be disappointed by Satterlie’s relatively low-key mystery centering on the misappropriation of university funding. Instead of thrilling action, he treats readers to a cat-and-mouse game (more suited to the novel’s intellectual setting) that plays out over tense interviews as Satterlie develops his dramatic tension through confrontations between Bransome and all the lab’s different players rather than outright violence. Memorable characters and brisk dialogue also go a long way in keeping the pace humming. Even the supporting cast members, like Ph.D. student Roxy Shaw, stand out via their witty banter. But the novel really shines when depicting the evolving dynamics among Powers, Donnie, and Bransome. What starts out as a nearly slapstick routine slowly turns into a real, believable rapport. Satterlie also showcases his excellent comedic timing through Bransome’s dismissive thoughts, which slowly soften as the former cop begins to care again. Bransome is certainly an old-school figure with an unsurprising arc, but as the different pieces of evidence start clicking into place, Satterlie uses him to deliver a classic, satisfying puzzle that fans of the genre will appreciate.

Entertaining characters and smart dialogue enliven a rather straightforward mystery.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Feb. 14, 2025

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WANT TO KNOW A SECRET?

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Character assassination reigns supreme, if not uncontested, in a Long Island suburb.

April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Pub Date: March 3, 2026

ISBN: 9781464249600

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: Dec. 6, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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