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Two Dead and Counting

From the Underdog Detective series

An auspicious series starter that blends murder, bad medicine, and screwed-up family dynamics.

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In Schwartz’s debut mystery, an amiable but flawed private investigator finds himself not only in the midst of two complex cases, but also dealing with a midlife crisis.

Former Mississippi policeman Jack Kendall is pushing 40, and all he has to show for his life is a struggling PI practice that specializes in cheating spouses, a dilapidated house, and a 10-year-old Toyota Camry. He’s never found Miss Right because he always pushes women away when the relationships become serious. As he explains to his best friend, Daniel Steinberg: “You know how I get. When she started talking about moving in together, I sent her packing.” Jack’s latest client is Teresa Lindsay, who suspects that her physician husband, Alan, is having an affair. Jack takes on more responsibilities after Daniel dies during elective surgery and an aggressive malpractice attorney, Cedric Johnson, urges Daniel’s widow, Christine, to sue the anesthesiologist. Jack was already planning to investigate Daniel’s death, but he’s also suspicious of the gold-digging lawyer: “No matter how he looked at it, it just seemed sleazy to approach Christine so soon after losing Daniel.” Neither case is as simple as it seems, as two illegitimate children, a spurned nephew, a dead child, and unethical medical experiments soon come into play. Schwartz skillfully weaves a complex mystery that keeps Jack and his helpers, including police captain Kevin Thomas; Johnson’s associate, Joshua “Josh” Royce; and Josh’s former assistant Stacy Young, in the dark for much of the story. He methodically doles out clues, however, so that readers will be likely to reach the solution before the professional and amateur detectives do. Schwartz fleshes out his characters well, making them believable and, in most cases, likable. Even Jack becomes a more evolved human by novel’s end, as he figures out what’s missing in his life. It all adds up to a fast-paced, challenging thriller that shows promise for future volumes of a planned series.

An auspicious series starter that blends murder, bad medicine, and screwed-up family dynamics.

Pub Date: Dec. 4, 2015

ISBN: 978-0-9970965-0-7

Page Count: 398

Publisher: CreateSpace

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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