Malayan terrorists seize and hide a Soviet cruise ship and its cargo of rich Americans, among whom is the former secretary of state, in an ingenious thriller by the author of The Experiment (1980) and The Haunting of Suzanna Blackwell (1984). Arms for hostages is the deal proposed by Tengku Haji Azhar, the handsome, charismatic Malayan who—thanks to the encouragement of his smarter but uglier cousin and co-plotter—believes he is just the man to lead a Muslim political renaissance in southern Asia and Oceania. The cousins have recruited a gang of Malaccan pirates and, with very little trouble, seized The Black Sea, a posh new Russian liner, then hidden the ship in an uncharted jungle river just a day after its departure from Singapore. Tengku gets the attention of the Singaporean, American, and Soviet governments with the delivery of a recently detached head of a crew member and a shopping list of weapons the terrorists would like to have delivered in return for not detaching more. With a fresh Soviet or American head arriving every day in Singapore, the three governments feel a bit of pressure to do something. Working for the Americans are the very capable captain and crew of the U.S.S. Decatur, a frigate operating in the area, and Mr. Yee, a very cool and rather mysterious aide to the president of Singapore. Time is working against them—as are the hungry local crocodiles and the rising hysteria of the passengers. Fortunately for everybody, one of the ship's tour guides is Maggi Chancellor, a pretty American who speaks the terrorists' language and who has caught the eye of Tengku. Ms. Chancellor has no intention of spending her life in the jungle.... Great fun. Fresh gimmicks and scenery skillfully assembled in a very slick package. Never palls.
Pub Date: Sept. 1, 1991
ISBN: 0-395-56927-3
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1991
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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