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THIS IS A MOOSE

A humorous—make that hysterical—homage to movies and big dreams.

Moose is steadfastly determined to achieve stardom amid the stars.

The “Mighty Moose” is the subject of a nature film—or so the director intends. The moose, however, has donned a space suit and persists in his intention to be an astronaut through multiple takes. His lacrosse-playing grandmother intrudes on the set as does a giraffe (the “Regal Giraffe”). Moose don’t play lacrosse, and giraffes belong in a safari film, according to the increasingly irate director. Grandmother, giraffe and assorted friends nonetheless launch the moose into space, allowing him to leave his natural habitat far behind. Director Waddler, evoking the spirits of Billy Wilder, Daffy Duck and Mo Willems’ Pigeon, finally gets the picture and resets and retitles his film as This Is an Astronaut. Morris’ story is filled with child-friendly humor that is cleverly matched by Lichtenheld’s comic ink, pencil and gouache paintings. The pair captures personality (lots of it), action and adventure, along with some old-fashioned filmmaking tropes. The blues and browns of the background craftily evoke both a natural and astral setting, while the literally colorful text, both typeset and hand-lettered, could adorn any traditional production set (or playground). And for a witty final touch, there is a Glossary of Filmmaking Terms. Certain to elicit gales of giggles.

A humorous—make that hysterical—homage to movies and big dreams. (Picture book. 4-7)

Pub Date: May 6, 2014

ISBN: 978-0-316-21360-8

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 2, 2014

Kirkus Reviews Issue: March 15, 2014

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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