An imaginative and engrossing tale that’s full of drama, tension, and gripping what-if questions.
After preventing 9/11, time travelers must again change the past to alter the outcome of Wounded Knee in this SF sequel.
In Book 1, Maj. Kyle Mason—heartbroken after his beautiful, accomplished wife, Padma Mahajan, was killed in the 9/11 attacks—was recruited in 2008 for a very secret mission to go back in time and stop the strikes. But problems arose, and a desperate Kyle turned to the one reliable partner he could find in 2001: himself. Though successful, Kyle 2001 died in the process. Unable to leave Padma, Kyle 2008 stayed in 2001, becoming the reclusive “Anderson Wild.” By Timeline 002 2008, Padma has parlayed her financial genius and Kyle’s knowledge of coming events into a trillion-dollar fortune, all the political power she can buy, and control of the Time Tunnel underground research complex, called Dreamland. Meanwhile, Texas Sen. Jonah Jones gathers a private army and takes over the U.S. government, with Dreamland in his sights. Padma and Kyle must use the Time Tunnel to escape. Though they aim for San Francisco and the Summer of Love, they land in South Dakota, 1890, in a Lakota village—just a few months before the massacre of Wounded Knee, as Kyle realizes from his studies. Though Kyle and Padma agree they must prevent the massacre, complications—and unintended consequences—arise, with world-changing implications. In this second installment of a series, Todd (Time Tunnel: The Twin Towers, 2019) continues exploring the intriguing possibilities of time travel, backing up his speculations with well-researched history and believable science. Though adept at setting up exciting, tense confrontations, the author is also a thoughtful writer, and his characters are appropriately vulnerable, though Padma is hailed as the messiah of Lakota prophecy and Kyle has modern weaponry. Todd’s Lakota camp and the town of Deadwood come vividly alive with well-chosen, telling details such as the checkerboard that sits atop a general store’s cracker barrel. The cliffhanger ending will leave readers eager for the next volume.
An imaginative and engrossing tale that’s full of drama, tension, and gripping what-if questions.Pub Date: Sept. 5, 2019
ISBN: 978-1-73319-360-3
Page Count: 384
Publisher: Time Tunnel Media
Review Posted Online: Sept. 7, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
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