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THE THIRD MIRACLE

Debut novel by screenwriter Vetere exploring Catholic dogma, the nature of miracles, and the process by which a saint is canonized. Vetere tells an absorbing tale of a priest who secretly acknowledges that he has lost his faith but who is nonetheless called to investigate whether a woman long resident in a convent in New York was in fact a saint. The story turns on God's grace and its mysterious workings, with little hint of melodrama. Father Frank Moore made a splash when he published The God Within, a study of faith. Then Frank's mentor, Father Falcone, became involved in what seemed to be miraculous events and was himself examined for canonization following his death. Frank, sent to investigate, discovered that Father Falcone had lost his faith and drowned himself. Devastated, his own faith shattered, Frank goes into hiding until the materialistic Cardinal Cahill finds and appoints him to consider the possible canonization of Helen Stephenson. Actually, the Cardinal wants Frank to destroy Stephenson, since she also spoke out for the ordination of female priests. But miracles surround her. For ten years, the statue of the Virgin outside the church of St. Stanislaus in Queens has cried tears of blood every October, the month of Stephenson's death. A cult arises, and, as at Lourdes, the sick arrive to be healed by the tears; some are saved at the brink of death. Frank's job, meanwhile, is to probe every aspect of Stephenson's life and look for flaws that would deny sainthood. One such flaw seems to be that Stephenson, a nurse, abandoned her daughter Roxana in order to enter the convent at St. Stanislaus, and Roxanna has never forgiven her. Frank becomes embroiled erotically with Roxanna, but eventually he must face a Vatican team of cardinals and lay out the case for Stephenson. Fascinating portrait of the church's internal workings—but the characters (and drama) take second place to larger questions of faith and doubt.

Pub Date: June 1, 1997

ISBN: 0-7867-0413-6

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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