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THE LAST TITANS

HOW CHURCHILL AND DE GAULLE SAVED THEIR NATIONS AND TRANSFORMED THE WORLD

Familiar events, but a superb page-turner.

A rare grandiloquent title that is not hyperbole.

Both Churchill and de Gaulle began as soldiers and authors, notes Vinen, professor of history at King’s College London and author of 1968: Radical Protest and Its Enemies (2018). Ever the hero of his own bestsellers, the charismatic Churchill (1874-1965) never lost an adolescent love of war but left the army for politics in 1899, becoming a power in Britain’s cabinet before World War I until 1931, when, a hard-line imperialist, he opposed granting India limited independence and resigned. Even as a failure, he was world-famous. A World War I hero, de Gaulle (1890-1970) found relief in becoming a military intellectual. Both denounced the 1938 Munich Agreement that allowed the Nazi takeover of the Sudetenland. Churchill became prime minister on May 10, 1940, the day Germany invaded France. An undersecretary of defense, de Gaulle opposed France’s surrender, flew to London on June 17, and delivered his famous radio address to France the following day, declaring, “The flame of French resistance must not and will not go out.” Churchill encouraged De Gaulle’s appeals but grew exasperated at his self-importance. Franklin D. Roosevelt never liked the Frenchman. Vinen reminds readers that both nations maintained diplomatic relations with Vichy France until late in 1942, hoping in vain that chief of state Philippe Pétain would turn against the Nazis. The conservative Churchill had little interest in social reform, so his 1945 electoral defeat should have come as no surprise. The remainder of his life was an anticlimax. His Nobel-winning World War II history is not highly regarded by scholars, and a second term as prime minister was not successful. Unhappy with postwar politics, De Gaulle retired but returned in 1958 as civil war threatened over the Algerian rebellion. Remaking the constitution to his liking, with a stronger president, he served over a decade of increasing prosperity during which France assumed the leading role in Europe. “The whole of modern France,” Vinen concludes, “is a Gaullist monument.”

Familiar events, but a superb page-turner.

Pub Date: March 17, 2026

ISBN: 9781668064849

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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