translations that reinforce Wilbur’s standing as one of the great poetic craftsmen of the 20th century.
Eleven years have passed since Richard Wilbur won his second Pulitzer Prize for New and Collected Poems. In the years
that followed, devotees of his formalist verse have scoured poetry periodicals to find the former US Poet Laureate’s sporadically published poetry. The 26 original poems and translations collected in this new volume live up to the expectations that follow such a celebrated master, and they treat readers to the pleasures of self-consciously crafted lyric verse. Thematically, the poems are loosely linked together by explorations of the paradoxical relationship between the comfortable stability of memory and the imperative uncertainty of the present moment. Wilbur’s expert versification reveals this mystery to be part of everyday experience: “This Pleasing Anxious Being” mines the memories of childhood to grasp for fleeting moments of security, while “Icons” searches for permanence behind the carefully constructed images of celebrities. The lyric translations of French, Romanian, and Bulgarian poets also echo this theme, perhaps most poignantly in Valeri Petrov’s struggle with memories of friends hanged by the Nazis during WWII. In addition to the lyric translations, carefully crafted translations of MoliSþre’s prologue to Amphitryon and a canto of Dante’s Inferno are presented. The title poem suggests that the joyful capture of these transcendent moments is the poet’s calling, and here, to the great delight of his readers, Wilbur once again demonstrates his mastery of seeing and reproducing such moments. The graceful combination of virtuoso formal verse and fully matured wisdom produces a tightly woven group of poems and
translations that reinforce Wilbur’s standing as one of the great poetic craftsmen of the 20th century.Pub Date: April 1, 2000
ISBN: 0-15-100469-2
Page Count: 96
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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