by Richard Zacks ‧ RELEASE DATE: April 19, 2016
Between the dizzying sums lost and gained, Zacks offers a rollicking history perfect for Twain’s countless fans.
An amusing, singular account of the world tour by the nation’s most famous humorist, chased by creditors.
Zacks (Island of Vice: Theodore Roosevelt's Doomed Quest to Clean Up Sin-Loving New York, 2012, etc.) journeys with Mark Twain (1835-1910) on his around-the-world tour in 1896, when he peddled his “greatest hits” to live admiring audiences in order to gain enough money to keep his creditors at home in check. Having made several disastrous investments—e.g., buying a publishing house and putting his nephew in charge and backing James W. Paige’s pie-in-the-sky mechanical typesetter—Twain also had to support his heiress wife, Livy, and three daughters in grand style in Paris. On the advice of his friend and fellow investor, oil baron H.H. Rogers, Twain turned over all of his assets, including his book copyrights and Paige stock, to his wife to avoid persecution and embarked, with Livy and middle daughter Clara, on a world tour as essentially a stand-up comedian. He offered snippets from his more hilarious material while drumming up thousands of dollars to pay the creditors. Zacks has thoroughly mined the notebooks Twain kept on the tour—which detailed his “almost bizarre” range of interests: “religious preferences in ant colonies, worst public floggings, the anonymity of executioners, the insecurities of God”—and letters home to the two daughters who stayed behind, while tracking the family’s progress across Australia, New Zealand, India, South Africa, and London. Apparently, Twain was beginning to enjoy himself immensely, and these snippets of his performances are endearing and affecting. Although the news of the sudden death of daughter Susy in 1896 dampened the family’s homecoming, Twain was able to recoup many of his losses with new publishing and magazine contracts—and thanks to the financial wiliness of Rogers.
Between the dizzying sums lost and gained, Zacks offers a rollicking history perfect for Twain’s countless fans.Pub Date: April 19, 2016
ISBN: 978-0-385-53644-8
Page Count: 480
Publisher: Doubleday
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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