Bass continues his essays about Montana (Winter, 1991, etc.) with this masterful life history of a contemporary wolf pack. In the 19th-century West, Bass notes, wolves were relentlessly trapped, poisoned, and shot; between 1870 and 1877 alone, 700,000 wolves were killed just in Montana. When, in 1989 and for the first time in 60 years, a wolf pack (soon dubbed the ``Ninemile'' pack) appeared in Montana, outside of Glacier National Park, locals divided into two groups: those ``for'' wolves, and those ``against''—the latter motivated purely by money, Bass says. The fledgling pack consisted of a male, a female, and cubs. When a farmer's calf was attacked, the female was anonymously shot, despite evidence that the calf had been attacked by coyotes. Several months later, the male—who had been bringing his youngsters food—was fatally struck by a motor vehicle, and the US Fishery and Wildlife Service had to step in to feed the cubs. At this point in the narrative, Bass's observation that wolves' lives are inseparable from human politics becomes depressingly apparent. The Montana Department of Fisheries and Wildlife Preservation asked the USFWS to remove the pups because they might affect Montana's biggest cash crop: deer hunters. The USFWS declined, and soon the orphan pack had taught itself to hunt. But freedom was short-lived. When two heifers were found killed, the USFWS tranquilizer-darted the pack and relocated the wolves. At their new home, two were shot by ranchers (despite a $100,000/one-year penalty if caught), and the last female was placed in permanent captivity. Throughout this sad, short history, Bass vividly renders the viewpoint of these green-eyed, magnificent predators, able to bound 16 feet when pursuing moose or deer. ``Wolves are the most social mammal...except (maybe) for humans,'' Bass says. An essay as rare and beautiful as a wolf-sighting in the Montana woods. (Photographs and drawings—some seen.)

Pub Date: June 1, 1992

ISBN: 0-944439-47-0

Page Count: 192

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1992

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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