A humorous look at a young rebel's fight against the deadening American dream of Southern California in the Eisenhower era. Ozzie, the 18-year-old narrator of DeMarinis's tenth book (The Voice of America, 1991, etc.), is desperately afraid of being ``the stale turd on the sparkling lawn of the prosperous nation.'' It's 1953 in San Diego and many of Ozzie's fellow high school graduates are getting married, starting families, and going to work for the defense industry. His one college-bound friend is off to study physics with dreams of making H-bombs. Ozzie's girlfriend is putting pressure on him to get married, and this means becoming an apprentice in her family business—the Darling-Vogel funeral home. Ozzie doesn't know what he wants to do with his life, but it certainly doesn't involve any of the options facing him. He passes time riding his motorcycle through the hills, bodysurfing, running over the Mexican border for drunken debauches, and, especially, listening to hot bop. Complicating matters is the fact that Ozzie has no father, just a series of stepfathers that his young mother quickly tires of, so he must go looking for fatherly advice in all sorts of unlikely places. As usual, DeMarinis expertly uses his deadpan humor to create hilarious and surreal situations with memorable one-line zingers. Yet from page one, the reader is worried not about whether Ozzie is going to get trapped into an awful life (he seems very aware of its awfulness), but how he is going to get out of it—in other words, there's a lot riding on the ending. And after a 288-page build-up, the conclusion is encapsulated in a not very satisfying 12-page summary. Rebel Without a Cause Lite—less filling, but leaves one longing for full-bodied satiation. (First serial to GQ; author tour)
Pub Date: Aug. 1, 1994
ISBN: 0-393-03662-6
Page Count: 320
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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