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THE MORTICIAN'S APPRENTICE

A humorous look at a young rebel's fight against the deadening American dream of Southern California in the Eisenhower era. Ozzie, the 18-year-old narrator of DeMarinis's tenth book (The Voice of America, 1991, etc.), is desperately afraid of being ``the stale turd on the sparkling lawn of the prosperous nation.'' It's 1953 in San Diego and many of Ozzie's fellow high school graduates are getting married, starting families, and going to work for the defense industry. His one college-bound friend is off to study physics with dreams of making H-bombs. Ozzie's girlfriend is putting pressure on him to get married, and this means becoming an apprentice in her family business—the Darling-Vogel funeral home. Ozzie doesn't know what he wants to do with his life, but it certainly doesn't involve any of the options facing him. He passes time riding his motorcycle through the hills, bodysurfing, running over the Mexican border for drunken debauches, and, especially, listening to hot bop. Complicating matters is the fact that Ozzie has no father, just a series of stepfathers that his young mother quickly tires of, so he must go looking for fatherly advice in all sorts of unlikely places. As usual, DeMarinis expertly uses his deadpan humor to create hilarious and surreal situations with memorable one-line zingers. Yet from page one, the reader is worried not about whether Ozzie is going to get trapped into an awful life (he seems very aware of its awfulness), but how he is going to get out of it—in other words, there's a lot riding on the ending. And after a 288-page build-up, the conclusion is encapsulated in a not very satisfying 12-page summary. Rebel Without a Cause Lite—less filling, but leaves one longing for full-bodied satiation. (First serial to GQ; author tour)

Pub Date: Aug. 1, 1994

ISBN: 0-393-03662-6

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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