A somewhat wooden science-fiction thriller that drifts into existential—even mystical—territory.
Moskovitz concludes his science-fiction trilogy with this novel about the secret origin—and potential future—of humanity.
Advances in science have done away with the need for religion—at least until evidence of intelligent design is discovered encoded into people’s DNA. The Church of the Double Helix rises as a new religious force, its worship built around musical translations of messages in the DNA code—messages from beings in a parallel universe detailing the creation of humanity. Fifteen-year-old prodigy Natasha Takana attends its services every Sunday, attempting to decipher the incomplete message. “A dying civilization in a parallel world, facing annihilation, had reached across the boundary between worlds to preserve its legacy. What, Natasha wondered, were the events that had driven them nearly to extinction?” Had anyone from that world survived? Natasha manages to ride the music into that parallel dimension, where the Creators themselves offer her a warning for the future. Elsewhere, journalist Lena Holbrook is investigating a remote back-to-basics commune in Oregon. She is particularly interested in a couple who live there with their preternaturally gifted daughter, Macklyn. Meanwhile, a small group of genetically engineered immortals known as Lazarus plot to gain control of Natasha or Macklyn, or both, and thereby breed a new generation of superhumans. Moskovitz’s prose is reliably lean and exact: “Abraham began his rounds just after daybreak. After the previous day’s squall and a light rain during the night, the sand underfoot was damp and dense and the fruit on the trees glistened.” The novel draws together the storylines of previous books in the Brink of Life trilogy in a way that is thematically coherent, if not exactly emotionally satisfying. The characters here are stiffer than in past works, and the narrative feels a bit less organic. Moskovitz, who also wrote The Brink of Life (2019), asks questions that are ambitious and vast—about the nature of humanity, the origin of life, the future of the planet—and the novel is short enough that it doesn’t overstay its welcome. The book makes its landing without coming apart, but it does so without the panache fans of the previous volumes have likely hoped for.
A somewhat wooden science-fiction thriller that drifts into existential—even mystical—territory.Pub Date: Nov. 2, 2019
ISBN: 978-1-73417-892-0
Page Count: 173
Publisher: Fluke Tale Productions
Review Posted Online: March 17, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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