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Naked Ambition

From the The NAKED series series , Vol. 1

This thriller offers an intricate puzzle with a few surprises and some strategic power grabs as a hardened journalist...

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A seasoned Washington, D.C., newspaper reporter uncovers a potentially explosive corruption scandal in this debut political novel.

Beck Rikki, a Washington investigative journalist, is casually sipping a Corona Light when he receives a call from Daniel Fahy, a senior figure at the Justice Department. Fahy wants to tip off Beck about a high-ranking politician that he thinks is caught up in a bribery scheme. Beck is intrigued, if a little skeptical, but it has been a while since he’s written a good investigative story. Fahy possesses recordings of U.S. Sen. David Bayard talking about an apparent money-laundering scheme involving his properties in the Cayman Islands. As the money may be coming from a contractor that Bayard’s Senate committee oversees, officials are anxious to prosecute before the next election. Beck starts his probe, but he isn’t sure whether Fahy harbors political motives of his own or plans to set up the reporter somehow. The FBI pays a visit to Geneva Kemper, a fairly sultry lobbyist who works for Serodynne Corporation, a government contractor that has donated funds to Bayard and his PAC. She is also the wife of a senator and something of a recreational nudist. Concerned about the fate of one of Serodynne’s bids, Geneva introduces herself to Beck, hoping to find out information about the investigation. The two begin a torrid affair, and revelations about not just Bayard and his dealings, but also Geneva’s investments and motives put Beck in serious jeopardy. Pullen has written a solid, descriptive thriller that shows that he is well-informed and savvy about the newspaper business and the political world. Beck and Geneva are convincing denizens of the labyrinthine world of post–9/11 and post–Citizens United politics in Washington, and their competing interests in the midst of their affair keep the complex plot from feeling like familiar territory. Geneva, in particular, is quite a creation: a woman who easily excels in this play-for-keeps yet cordial world of deal-making and power plays but despises it and longs to escape. All the characters perform their roles well, even Beck’s trusty red armchair, and in Pullen’s hands the shady and sometimes-judicious relationships among government, business, and journalism are shown in a penetrating and astute manner.

This thriller offers an intricate puzzle with a few surprises and some strategic power grabs as a hardened journalist pursues the story of his career.

Pub Date: May 2, 2016

ISBN: 978-0-692-63435-6

Page Count: 374

Publisher: Blair House

Review Posted Online: Aug. 11, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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