by Rick Smolan & Jennifer Erwitt ‧ RELEASE DATE: June 1, 1998
The ubiquitous microchip is celebrated in soma 200 color photographs, taken in the course of one day (July 11, 1997) by approximately 100 photojournalists scattered around the globe. While we may take it for granted that the microprocessor has infiltrated and altered almost every element of life having to do with technology, it’s still startling to see how pervasive its influence is. A portrait of Thai monks gathered ‘round a computer to study the teachings of the Buddha, of a Chinese sailor steering his junk and blithely chatting on a cellular telephone, or of a group of rural South African pensioners lining up at a computer that will identify them by their fingerprints before issuing a monthly check are likely to surprise even a jaded technophile. Much of the book, however, focuses on the specific ways in which the microchip is expanding life’s possibilities, with a heavy stress on how microchip-driven technology is helping to cure disease and enhance the lives of those with a variety of disabilities. The upbeat message throughout is hardly surprising, given that the project was sponsored by the Intel Corporation. Still, as a primer on cutting edge work in health, the environment, And other sciences, and as a vivid tour of the world’s obsession with all things technological, One Digital Day is breezily effective. (First serial to Fortune; $300,000 ad/promo; author tour)
Pub Date: June 1, 1998
ISBN: 0-8129-3031-2
Page Count: 224
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
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by Rick Smolan & Jennifer Erwitt & developed by Marcolina Design Inc. & Against All Odds Productions
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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