ONE DIGITAL DAY

THE MICROCHIP IS CHANGING OUR WORLD

The ubiquitous microchip is celebrated in soma 200 color photographs, taken in the course of one day (July 11, 1997) by approximately 100 photojournalists scattered around the globe. While we may take it for granted that the microprocessor has infiltrated and altered almost every element of life having to do with technology, it’s still startling to see how pervasive its influence is. A portrait of Thai monks gathered ‘round a computer to study the teachings of the Buddha, of a Chinese sailor steering his junk and blithely chatting on a cellular telephone, or of a group of rural South African pensioners lining up at a computer that will identify them by their fingerprints before issuing a monthly check are likely to surprise even a jaded technophile. Much of the book, however, focuses on the specific ways in which the microchip is expanding life’s possibilities, with a heavy stress on how microchip-driven technology is helping to cure disease and enhance the lives of those with a variety of disabilities. The upbeat message throughout is hardly surprising, given that the project was sponsored by the Intel Corporation. Still, as a primer on cutting edge work in health, the environment, And other sciences, and as a vivid tour of the world’s obsession with all things technological, One Digital Day is breezily effective. (First serial to Fortune; $300,000 ad/promo; author tour)

Pub Date: June 1, 1998

ISBN: 0-8129-3031-2

Page Count: 224

Publisher: Times/Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1998

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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