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WHAT IS REAL

THE LIFE AND CRIMES OF DARNELL RILEY

A disturbingly honest memoir.

An ex-con tells the story of life inside the California state prison system.

In 2005, Perez (full name Darnell Riley Perez) was “a year removed from my last criminal act”: breaking into Girls Gone Wild founder Joe Francis’ Bel Air home, videotaping Francis in compromising positions, and using the resulting footage to extort money. Then, without warning, two armed U.S. Marshalls captured Perez at his home. In this gritty memoir, the author details the decade he spent behind bars. His first experiences at the LA County jail lockup showed him just how difficult incarceration could be. The cramped cells had no windows and no clocks, and the prison moved inmates around often, creating a sense of instability. Corrections officers carried out everything from full body searches to meal service “with the same level of hate for the process as the inmates.” A majority of convicts were involved in notorious gangs like the Crips, Bloods, and the Asian Boyz, divided along racial lines. Perez identified himself as a more-or-less neutral “Other” and managed to stay out of most intergang confrontations. But loneliness and separation from family and friends took its toll. With an almost frightening sangfroid, he writes about collecting a secret stash of sleeping pills to use in case his trial “was a failure.” In early 2006, Perez was formally charged and sentenced to 10 years and moved to the Corcoran State Prison, which housed convicted murderer Charles Manson. A female corrections officer briefly made a sexually frustrated Perez one of her “personal sex performers” and watched him masturbate when he was alone in his cell. Later, he became a “soldier” in a private war between convicts and assaulted an inmate who had not paid a debt to another. Grim, unrelenting, and at times difficult to read, the book takes readers on a journey to the dark side of both prison life and human nature.

A disturbingly honest memoir.

Pub Date: Aug. 14, 2018

ISBN: 978-1-947856-26-4

Page Count: 256

Publisher: Rare Bird Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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