A short, engrossing novel that captures the essence of obsessive fandom.
An accusation against her favorite J-pop idol upends an unstable teen’s world.
Akari, a high school junior in Japan, wakes up one morning to the dreadful rumor that Masaki Ueno has assaulted a female fan. She is devastated: To her, Masaki is not simply a member of the popular group Maza Maza, he is her oshi, in whom she finds meaning and around whom she organizes her life. Akari has always had difficulty with her schoolwork, her family situation is tense, and she gets easily overwhelmed by the responsibilities of her job at a restaurant. When it comes to Masaki, however, she is dedicated and organized: She copies down every word he utters in public in binders, interacts with other superfans through her popular blog, and spends most of her earnings on band merch and memorabilia. Other people ridicule Akari’s dedication to this one-sided relationship, but she insists that she doesn’t see anything wrong with it because she doesn’t expect anything in return. Akari is content to devote herself to Masaki from a distance, wanting to understand him fully and “to see the world through his eyes.” As the assault threatens Masaki’s future in the band and as a celebrity, Akari becomes further unmoored; she feels as though her future and well-being are inextricably tied to Masaki’s own: “I need to give him everything, I thought. It's all I have. It was my cross to bear. Believing in him was how I lived.” Akari’s obsession is fatalistic and intense, and Usami’s prose (translated by Yoneda) renders it and the hold it has on her tenuous life ably and affectingly. While the intensity of the fandom and what it entails may seem outlandish to some, it will especially resonate with readers familiar with real-life superfandoms such as One Direction's at the height of its fame, down to details such as sought-after exclusive merch and hateful online comments sections.
A short, engrossing novel that captures the essence of obsessive fandom.Pub Date: Nov. 15, 2022
ISBN: 978-0-06-321328-9
Page Count: 128
Publisher: HarperVia
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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