A short, engrossing novel that captures the essence of obsessive fandom.
An accusation against her favorite J-pop idol upends an unstable teen’s world.
Akari, a high school junior in Japan, wakes up one morning to the dreadful rumor that Masaki Ueno has assaulted a female fan. She is devastated: To her, Masaki is not simply a member of the popular group Maza Maza, he is her oshi, in whom she finds meaning and around whom she organizes her life. Akari has always had difficulty with her schoolwork, her family situation is tense, and she gets easily overwhelmed by the responsibilities of her job at a restaurant. When it comes to Masaki, however, she is dedicated and organized: She copies down every word he utters in public in binders, interacts with other superfans through her popular blog, and spends most of her earnings on band merch and memorabilia. Other people ridicule Akari’s dedication to this one-sided relationship, but she insists that she doesn’t see anything wrong with it because she doesn’t expect anything in return. Akari is content to devote herself to Masaki from a distance, wanting to understand him fully and “to see the world through his eyes.” As the assault threatens Masaki’s future in the band and as a celebrity, Akari becomes further unmoored; she feels as though her future and well-being are inextricably tied to Masaki’s own: “I need to give him everything, I thought. It's all I have. It was my cross to bear. Believing in him was how I lived.” Akari’s obsession is fatalistic and intense, and Usami’s prose (translated by Yoneda) renders it and the hold it has on her tenuous life ably and affectingly. While the intensity of the fandom and what it entails may seem outlandish to some, it will especially resonate with readers familiar with real-life superfandoms such as One Direction's at the height of its fame, down to details such as sought-after exclusive merch and hateful online comments sections.
A short, engrossing novel that captures the essence of obsessive fandom.Pub Date: Nov. 15, 2022
ISBN: 978-0-06-321328-9
Page Count: 128
Publisher: HarperVia
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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