Wearying.
Bickering couple fight about everything.
Lisa Diodetto, the gutsy heroine of Pink Slip (1999), is five years older and not a lot happier. For one thing, she and hubby Eben Strauss can’t conceive a second child—not that she’s absolutely sure she wants another, since the first has adenoids. Little Danny’s loud snoring isn’t the only thing that keeps her tossing and turning at night—practical Ebb just doesn’t think much of the novel she’s writing. Okay, it is about a contemporary marriage on the rocks, but that doesn’t mean it’s their marriage. Especially since Ebb is the newly promoted Vice President of Internal Relations at his company. He used to be halfway across the country every time she ovulated; but since he’s been home so much more, routine make-a-baby sex reminds her only of the crushing disappointment of secondary infertility. Just because stay-at-home mom Lisa secretly dreams of becoming a published author doesn’t mean she wants out. Maybe she needs a project. Maybe buying a house would be a good idea. The real-estate agent is a purring blond named Cynthia Farquhar. Cynthia couldn’t possibly be interested in a middle-aged stick-in-the-mud like Ebb, could she? Not when Ebb’s tendency to constipation is explored in telling detail. Lisa broods over things like misplaced toenail clippings and the way colorblind Ebb always picks out the worst tie. Maybe that phone call from a New York literary agent will cheer her up. They meet in Manhattan for sushi, and she’s utterly put off by the way he harasses the waiter for half a portion of eel, instead of being man enough to order the whole squiggly thing. Not to mention he’s a total phony and asks her to rewrite the predictable ending of her novel. She might as well go home and keep obsessing about belches, burps, poops, farts, and turds (lots of puerile scatological humor, folks). Maybe Ebb will even get off the pot and tell her he still loves her.
Wearying.Pub Date: June 3, 2003
ISBN: 0-385-33584-9
Page Count: 302
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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